Sunday, January 20, 2013

A Word About (supposedly) Silicone Pen Sacs

Word in the fountain pen community says the silicone sacs we have been purchasing for years really are not pure silicone, they contain.... vinyl!  What's wrong with vinyl you might ask?  Much is wrong with is, not only is soft vinyl somewhat toxic (plasticizer leech, phthalates anyone?) it has the ability to melt and destroy other types of plastic, celluloid and polystyrene are amongst these and most pens are made of those.  You might remember this having happened with some your toys when you were a child, you haphazardly toss your toys in the toy box and a soft vinyl toy happens to come to rest on top of one made of a hard plastic.  You go on vacation for a week and come back to find that the vinyl toy has melted the hard plastic toy where they touched.  Or maybe as you grew up you stored some of your childhood toys together, hoping that someday you would be able to pass them along to another child?  Maybe you take that box down when you find out someone in the family has a kid who might enjoy those toys, only to find some of them have melt marks and gummy plastic, maybe a toy containing both vinyl and hard plastic parts is in the process of self-destruction (dolls and action figures with vinyl heads and limbs and hard plastic bodies).  It's not always a process that will take place over night or even over a few years time.  This is what can happen to your pens if you leave the vinyl containing sac inside, so it's best to remove them while there is still time.

Today I removed all the vinyl sacs from my pens and I didn't find any damage, which is good considering some of these sacs have been in a pen for about six years.

Right now the only place to buy pure silicone sacs is:

http://www.vintagepens.com/catill_nibs_parts.shtml   (no affiliation)

They are only available in limited sizes right now, but the proprietor is working on making other sizes available.

You might also want to watch this:



Suspect Silicone Sacs: removed from my pens, the one on the right looks suspect to vinyl deterioration
All of this makes me wonder if pen sacs could also be made from TPE.  It's a plastic that is used in medical devices and implants and looks and feels much like silicone.

Exploded View of Parker Duofold

A look at a very popular, well designed and engineered fountain pen.

Parker Duofold Jr
Part of the beauty of the Duofold's design is that it is easily broken down into it's most basic components.  There is no need for any special tools (like an inner cap puller) to take this pen apart, this allows for damaged parts to be replaced easily.  The Duofold is also one of the simplest pens to repair, first you remove the blind cap at the end of the barrel and pull the button straight up and out without rocking it side to side (that could crack the blind cap nipple).  Next the pressure bar is eased out, they are designed to fit through the hole that the button is placed in.  After that you can open the pen, the threaded section makes it very easy to do.  Although it should be noted that 'streamlined' Duofolds have a friction fit section.

Streamlined Duofold Jr: the only difference is the friction fit section and the slightly tapered,  rounded off ends.  This pen also still has its original factory three-part pressure bar.
Duofolds were streamlined sometime around 1929 in an attempt to keep up appearances, competing pen makers had come out with radically streamlined pens and Parker wanted in on the action while retaining the Duofold's classic shape.  This pen model introduced sometime in 1921, although there was a similar model pen, the Parker Jack-Knife Safety that debuted in the late teens, utilizing the same basic shape and filling system.  The first Duofolds were made of hard rubber in either Chinese Lacquer Red (more burnt orange than anything, earned the pen the name Big Red), and plain black.  Celluloid or Permanite pens as Parker called it came out around 1925.  The Duofold was released in several sizes throughout the time it was on the market, oversize, junior (standard), a ladies ring top pen and a mens vest pocket ring top, there were also several variations on cap bands, the double band seen on the pens above being the most common.  Being a popular model the Duofold was on the market as a button filler until 1940, when is was drastically redesigned and released as a Vacumatic filler (more on Parker Vacumatics in a future post).

Left: Streamlined Duofold friction fit section.  Right: Original (flat-top) threaded section.

How Does it Work?

When the button is pressed, the pressure bar is forced down and bows outward, depressing the sac.  It's a very fool proof and failure proof filling system as there is little in the way of moving parts that can break.  When the button is released the bar goes straight allowing the sac to take in ink.  The original factory pressure bars have a lip that rests on the blind cap nipple, which holds the bar in place.  The new replacement are longer and rest against the section of the pen.

New Two Part Replacement Duofold Pressure Bar: When the button is pressed, the bar bows out depressing the sac.
Duofold Jr. seen above back together
Several Different Models- L to R: Flat-top 'True Blue' long, jade green Jr. streamlined, red flat-top Jr., chased hard rubber Deluxe Lady Duofold


Thursday, January 10, 2013

Fountain Pens- Replacing a Sac

Disclaimer: Proceed at your own risk, I will not be held responsible to any damage you do to your pens.  The directions I present here are standard procedure for replacing sacs in lever filling pens.  Use common sense, if you don't feel competent enough to do these repairs don't do them.  Please send your pen off to a repair person.  Please keep in mind that sixty year old materials may be brittle due to age and sometimes a pen will just break even if you follow all the directions carefully.  Everyone who has repaired many of pens can vouch for me.

More often than not when you come across an old pen the sac will be bad- the rubber thing on the inside that holds the ink.  Pen sacs were and still are made from natural latex, which as it ages loses its elasticity and becomes hard and brittle, just like tires on a car or bike or other items made from natural rubber.  Other times one is lucky enough to come across a pen that still has a good sac, usually newer pens dating from the late 1940s to early 1960s when cartridges and ball points became popular.

Todays patient: Waterman's 452 1/2 V, sterling silver filigree over hard rubber

So, how do you know if a pen has a bad sac?  It's usually really easy to tell, first try lifting the lever if it's a lever filling pen like the one pictured above.  If the lever doesn't lift chances are the sac is hard and unyielding, if this is the case don't force it, you could end up breaking the the pin or c-ring that holds the lever in place.  If the lever does move but you still suspect the sac might be bad, give the pen a shake.  Sometimes a sac will crumble and the loose pieces will be rattling around inside the pen, no rattling means your sac should still be good and you probably don't need to do anything to the pen other than give it a basic cleaning.  If that is the case, to be sure the sac is good and has no leaks simply fill the pen with water and let it sit over night, in the morning check around the lever, or button in the case of button filling pens for dampness.  Any dampness means you have a leak and the sac will still need to be replaced.

Where to Begin

Replacing your first sac can be somewhat daunting, it was for me the first time I did it six years ago.  There are parts you need to purchase, unexpected surprises, precautions that need to be followed and the chance something may go wrong.  Plastics that are fifty plus years old can be fussy, they may have shrunk over the years, become brittle or can be undergoing degradation depending on how they were stored and treated.   For example celluloid can be destroyed by storage in damp places or by UV light or being kept in sealed containers as it needs to breath.  Hard rubber is sensitive to UV light and dampness can badly discolor and degrade it.  Polystyrene plastics, which became popular during and following WWII are notorious for shrinking and becoming brittle.  At the time they were a new and untested technology, not to mention the best materials were going to the government for the war effort.  It's very common to find Eversharp Skyline pens with cracked and distorted barrels and caps because of this.

Some items you will need: Amber or orange shellac, a small flashlight, eyedropper (syringes work well too) small brushes, pocket knife (file and scissors very useful), rubber kitchen grip, sometime to scrape away old sac remnants (hair pins work great for this, some people like dental tools).  And sacs! (not pictured)
First start by getting together all of the items you will need, many of them can be found around the house or purchased inexpensively at your local hardware or drug store.  Brushes can be found at pet or aquarium stores near the fish tank filters and pumps, but cotton swabs work too. You will need a heat source to warm the section and make it easier to open.  Sacs and other pen parts must be purchased from a specialty supplier, links provided at the bottom of the page.  After getting most of these things together you're ready to open the pen.

Pen is opened: old sac remnants pour out

I use a hair drier to heat my pens to get them open, I know there are people out there who use heat guns but after I had a bad experience with one I haven't used it again. (melted pen anyone?)  I should note I have also heard others mentioning melting pens with hair driers, so if yours gets really hot don't use the highest setting.  With the hair drier heat the pen evenly around the threads until they feel warm, then try twisting the section, to get a better grip use a rubber kitchen grip.  If the section doesn't want to turn don't force it too hardly, let the pen cool and heat it longer and try the section again.  Keep doing this until it comes loose, be patient, in many cases the pen hasn't been opened since it left the factory.  Also, there could be a load of old ink cementing the section into the barrel, a plastic or celluloid pen can be soaked for about an hour in cool water up to the barrel threads.  Hard rubber pens should never be soaked like this because water can discolor them.  Neither should pens made from a material called casein, it is made from milk protein and will melt when exposed to water.  These pens are mostly European in origin and not common in the US.  Casein can be identified with its sour or burnt milk smell when rubber between your fingers.

When you get your pen open the old sac needs to be removed.  Sometimes it will fall out in one piece, or only pieces will fall out like in the above photo.  If there are bits still stuck inside this is when you use your hair pin, dental scaler, small paint brush handle, ect to break them up.  Using a small flashlight you can look inside and see if there are any stubborn pieces stuck inside.  Once you have all of the old sac out you can clean the pen.  A soak in cool water will usually clean a nib, plastic and celluloid pens can be rinsed with cool water to remove any old ink inside and out.  Eyedroppers or syringes work well for this.  When you are finished dry everything well inside and out, paper napkins and towel work great for this.  Stubborn ink clogs in nibs and feeds can be tackled with diluted ammonia in water or dish soap.

Placing the bulb of an eyedropper on the section nipple is a good way to flush a nib and feed.  Flush until the water runs clear.
Once you have your pen clean you can find out what sac you need.  Pen sacs are available in different sizes and styles to fit different pens.  Suppliers provide lists of sizes for popular pen models and directions for finding what size you need if your pen is not listed.  Since I do many repairs I buy bulk packages with an assorted sizes so I almost always have something on hand that will work.  There are also silicone sacs, which are great for celluloid pens that are prone to discoloration due to a chemical reaction between the colorant in the plastic and a gas degrading latex produces.

Trying on sacs for size: Although some will disagree with me I try sac until I find the one that fits best

Installing Your Sac

Pen sacs come in one length so you must find out how much you need to cut off in order to get it the right length.  It is done by inserting the sac into the barrel until it is all the way to the end and then pinching it with your fingers at the bottom.  Pull the sac out of the pen and trim it off right above your fingers.

Just like this

If you haven't already noticed the sac is still not short enough, one has to account for the section.  To determine how much more you have to trim, lay the sac next to the barrel and the section and pinch it where you need to cut it.  If you haven't already done this, clean the section nipple where the sac attaches.  Finger nails or a file will help you with this.

Like this...
... And this

Now I bet you are wondering what the shellac is for and now is when you need it.  Shellac has been the way sacs have been glued to the section nipple for years.  There are some who use super glue, but don't do it, it will only cause problems for future repairers or yourself if you have to do later work on your pen.  Spread the shellac evenly over the section nipple and slip the sac over it, let it dry for about thirty minutes before trying to put the pen back together.  Pat yourself on the back, if you've made it this far you're doing a great job!

Glued... err shellacked on pen sac

After thirty minutes are up (I say thirty minutes because you're less likely to have problems with the sac slipping off while putting the pen back together if the shellac has time to dry) ease the section back into the pen.  Coating the sac in talc will help it slide in easier and helps prevent latex rot, please note you have to use 100% pure talc, not baby powder or body powder, these contain oils that will rot your sac.  A little heat will help if it's being stubborn.

The Last Steps

Congratulate yourself, you have fixed a pen that's been out of order for years...

... Ink...

... Write!



A Few More Things

After doing repairs for so many years you start to forget how overwhelming and intimidating doing your first can be.  You begin to take for granted what now seems to you to be common sense.  Here I have listed a few more things that one should consider.

- Never use acetone or isopropyl alcohol (rubbing alcohol) to clean a pen unless you want to destroy it.  Both of these eat celluloid and will damage other plastics.
-Never use hot water on celluloid it will make it irreversibly cloudy.  Stick with cool or room temperature water.
- Never use metal polishes (Brasso, ect) on pen furniture (trim).  It can ruin the plating and plastic.  If you are seeing what looks to be tarnishing it's because the plating is worn away and the base metal is exposed.
- A sac that is a little too small is better than one that is too large and is crammed inside the pen.
- Some pens have threaded instead of friction fit sections, unless you are absolutely sure the pen is friction fit treat it like it is threaded.  This will prevent stripped threads, cracked barrels and sections.
- Always assume the pen you are working on is made of brittle material.
- Never force any stuck parts.  Gentle heat and soaking (depending on pen material) can usually loosen them.
- Keep celluloid away from open flame and extreme heat.  It is extremely flammable!
- Do no harm.  That is if nothing is wrong don't fix it.



Pen parts links*:




In the UK


Please feel free to ask questions.  I might have the answer or can point you in the direction of someone who does.


* Not in anyway affiliated, just a happy customer or have heard positive reviews



Thursday, January 3, 2013

Fountain Pens 101

When I started this blog I promised I was going to make some posts regarding fountain pen repair.   Since my last posting I began considering where I wanted to begin.  First I though I would start with my most recent repair, yet knowing there are a few people out there wouldn't have a clue of what I was writing about I though I'd begin with something a bit more basic.  Jumping straight into a topic that is considered esoteric to most is a great way to bring about confusion.  My focus in pens is mostly pre-1960s so this post is going to be looking at fountain pens in their most essential form dating from that time period and earlier.

Basic Anatomy

Below is a diagram displaying the form of fountain pen one is most likely to encounter if they pick up any pre-1960s pen.  This configuration was most commonly produced by pen manufacturers from the early 1920s to the late 1950s when cartridges became the preferred method of refilling a pen and before ball points took the public by storm.

Fig. 1  Esterbrook SJ: fountain pen in most basic form
Its most basic parts consist of the barrel or body of the pen and the cap to protect the nib or tip.  Other features should be common to anyone who has ever used a pen, such as the clip and cap band.  Although at first glance the cap band may appear to be merely decoration it is functional for it strengthens the lip of the cap and protects it somewhat from the stresses of use and posting (placing the cap on the rear of the pen while writing).  Some of the other features may leave a few scratching their heads, wondering why someone ever thought to put such things on a pen.  Why a lever?  Or what purpose does that little hole in the cap serve?  Well, no lever would mean no ink to write with- it is the means of filling the pen.  Lifting the lever depresses a thin bar of spring steel on the inside of the pen, which in turn flattens and forces the air from a rubber sac or bladder.  Allowing the lever to spring back into place while the nib is submerged in ink fills the pen, with the ink taking the place of the displaced air- kind of like an eyedropper.  Below shows what an ink sac looks like outside of a pen.

Fig. 2  Ink sac attached to pen section
So what about the little hole?  It's there for a good reason.  When the cap is removed from a pen a small amount of suction is created, which great enough can draw ink from inside the pen thus creating an ink blot.  Breather holes reduce this suction and make sure the ink stays inside where you want it until you are ready to write.

Under The Cap

Before one looks under the cap one must realize that most pens from this time period have threaded (screw on) caps.  Again there is a good reason this came to be, which will be touched on farther down. Attempting to pull off a threaded cap can strip the threads or crack the cap itself. 

Fig. 3 Nib and section
Other than the nib, the section is part of what makes the fountain pen functional, it holds the nib and gives the user a place to rest their fingers and also creates a seal against the inner cap- a sleeve fitted inside the pen cap.  Looking closely at the bottom of the section closest to the nib one can see that it is slightly flared and creates a flange.  When the cap is screwed firmly on the pen the section and inner cap meet, keeping air from getting in and drying the nib and ink from getting out and going all over one's pocket.  The section is where the pen comes apart when it needs to be opened for servicing (please do not attempt to do this unless you know what you are doing, it can be dangerous* for you and the pen if you follow the wrong directions.  Another post will touch on this soon, I promise).  Of course the nib is what does the writing and come in a wide variety in vintage pens.  There are extra fine, fine, medium and bold nibs.  Stiff nibs and flexible nibs and nibs made of steel like the one shown above, or 14k gold and 18k gold.  What is best all comes down to personal preference as there are simple steel nibs that perform better than some of the more expensive gold nibs.  The majority of quality vintage pens were fitted with 14k gold nibs.

Fig. 4  Underside of nib
Beneath the nib is the feed and as its name implies its function is to feed ink to the nib and air back into the pen.  Feeds in their most basic composition have channels carved in the top by which the ink travels, fins like in the photo above were a later innovation added to collect excess ink and prevent blotting (blotting usually isn't that bad of a problem no matter the feed in a clean and properly maintained pen yet it does happen).  They were machined from hydrophilic material like ebonite (hard rubber) and nowadays in most modern fountain pens injected molded from plastic and sometimes treated with a hydrophilic compound to make them channel the ink better (cost savings, not an innovation).

Nib tipping is added to the ends of the nib tines to make them more wear resistant, paper is abrasive and over time would wear away at the nib faster if it was not tipped, especially softer gold nibs.  Tipping is formed of very hard alloy called iridium and is welded to the nib separately during production.  Some steel nibs like the one shown do not have iridium tipping, instead the ends of the nib and rolled over and heated forming a smooth, durable surface.  Even though iridium tipping is tough it is not bullet proof, in other words it's possible to find vintage pens with their tipping worn away.  They will write scratchy but the tipping can be replaced by a restorer that specializes in nib repair, which in some cases is cheaper than trying to find a comparable replacement.

While this post only shows and speaks about the basics, I'd like to point out there are many other filling systems one can and will encounter once they start looking at fountain pens.  In the future I plan to make further posts highlighting some of these systems, which can seem overwhelming to someone who is just starting out.

Please feel free to ask any questions you might have.  I'll try to answer what I can or point you in the direction of someone who I know should have the answer.


*I say dangerous because there are some repair books and old out of date repair manuals circulating on the internet that advise the use of open flame or a heat gun to open pens.  The majority of pre-1950s fountain pens are made of celluloid which is highly flammable, so open flame and heat guns that can get hot enough to ignite celluloid are very dangerous.  Old materials can be fussy and if you don't know what you are doing you can cause irreversible or costly damage to them.  Then there are pens with threaded sections and friction fit sections.  Just do not do anything unless you are sure of what you are doing.

Saturday, December 29, 2012

Good Bye Mother Ray- November 19, 1936 - December 24, 2012

I don't know how many people who read this blog are Frank Zappa fans or even follow what is going on in the world of Frank Zappa (lots if you are a fan who keeps on top of what is happening, he's very productive for a dead man if you get my drift).  Getting to the point, Ray Collins vocalist in the first incarnation of The Mothers Of Invention passed away on December 24 due to complications stemming from heart problems.  He will be missed greatly by his fans.

The Mothers circa late 60s.  L to R: Roy Estrada, Bunk Gardner, Motorhead (Jim Sherwood),  Ray Collins,  Arthur Tripp, Don Preston, Jimmy Carl Black, Ian Underwood and Frank.

Collins' contributions can be heard on Freak Out!, Absolutely Free, Cruising With Rueben & The Jets, Uncle Meat, Burnt Weeny Sandwich, Weasels Ripped My Flesh and Apostrophe (').  If you are unfamiliar with these I suggest you check them out immediately, you have no idea what you are missing out on.






Monday, December 17, 2012

A Brother's Reflection- A Short Story

This is version 3.0, 2.0 has been read by only two people other than myself and 1.0 won't be seeing the light of day any time soon.  Hopefully all of the glaring errors have been corrected, I don't pretend to be a proof reader.  Nor am I going to pretend it is perfect, it's far from it.

With Christmas nearly a week away, I feel it is an appropriate time to share a story that deals with family.  Whether we like our family or not, no matter how much they may get on our nerves we are more or less stuck with them especially come this time of year.


A Brother's Reflection


“Where could he be?”   This is what Syd asked himself as he entered the block containing the studio offices.  His foot falls echoed dully in the corridor behind the front most office occupied by a secretary behind a wide desk, stationed there to greet guests and intercept mail and incoming telephone calls.  The back most offices belonged to the studio manager and his wayward younger brother and that was the last place he had not checked.  Hardwood floors and bare walls did little disguise the presence of anyone trudging through the halls, but perhaps that is what his brother desired, knowing ahead of time that someone was coming gave him a chance to compose himself or even make a hasty exit if he possessed no intention of greeting them.  Oftentimes he would slip out the back door and hide himself amongst the set of the dressing rooms of this company, leaving Syd to deal with the visitors on his own.  Through his mind played the phrases he had committed to memory, like images crystallized on film, fixed and permanent, for such situations.  “Mr. Chaplin is out at the moment, he should be back shortly,”  “Mr. Chaplin is ill, perhaps I could take message?”

            How odd it was referring to his kid brother in that manner, they shared the same surname and many times the guests would notice the family resemblance even though they were half brothers.  Then there was the time he hid in the property room, buried beneath the blankets on a bed situated behind a tall wardrobe.  Syd cringed, that day some important visitor from the offices in New York had dropped in to see how filming was going on The Pawn Shop and of course that slippery eel of a brother of his was no where to be found, none of the cast had seen him nor any of the crew.  Of course the secretary said he was in his office.  Embarrassed and mildly upset he told the man in the suit that he would go fetch his brother.  It had taken Syd more than thirty minutes to find him and another fifteen to convince him to return to his office, the whole time he kept flipping open his watch and checking the time; time was money after all.  And he would get his brother back to that office even if it meant lifting him from his feet like a defiant child and throwing him over his shoulder, grabbing him by the hips, shoving him through the door and slamming it shut behind them before he could slip away again.

            “Looking for Charlie?” the secretary known as Fran to all the studio regulars peered around the doorframe.  She was pretty Syd though, tidy light brown hair in a tight chignon, lively hazel eyes, nice white teeth, young pert bust, he almost had to pinch himself to stop this thoughts from heading to where they were going.  “He came back from luncheon with Edna just awhile ago, he should be in his office.”

            That was part of the problem, while Fran though Charlie was in his office he could in all reality be anywhere.  If Syd could have his way he would hire a personal secretary to keep an eye on Charlie while Fran could entertain guests until he was ready for them.  The other part of the problem was Charlie needed to get over his shyness, grow up; Syd could not always be there to save him in such situations.  He also knew it would be no small task for his brother’s fear and bashfulness was no act, he was genuinely scared when having to face important people he hardly knew.  So many times Syd sat beside him in that office, noting that Charlie sat perched on the edge of his chair stiff and unliving as a doll, he could literally hear his brother’s innards twisting themselves into knots, the sickly gurgle of their contents making a rush to the nearest exit.  Thankfully none of those times merited a visit by the studio housekeeping staff.

            Instead of being embarrassed by his brother Syd felt embarrassed for him, the former meant betraying him and that was something he could not bring himself to do.  Though he felt the first step in correcting the issue would be a personal secretary that was too dear for Charlie, who kept a close eye on his finances.  Even though Syd understood the concept of being frugal more than most, he also knew that sometimes one had to spend money in order to make money.

            The heavy paneled door, which lead to Charlie’s office stood cracked and Syd pushed it open expecting to find his brother, seated at his desk with his back to him.  But alas, the office was empty as a gut feeling told him it would be.  The roll top desk against the far wall stood open, the wood swivel chair with its heavily padded leather seat imprinted and perfectly formed to Charlie’s posterior was pushed away.  To make sure his eyes were not betraying him Syd turned slowly in place, surveying the spacious sunny room with its tall windows.  He checked behind the dressing screen stood in an interior corner away from prying eyes, no Charlie, yet there was an empty bentwood chair before a dressing table and the outsized trousers, vest and too small jacket hung from hooks on the wall.  Also he noticed that amidst the heaps of papers and piles of books on the desk was Charlie’s silver fountain pen and draped over one of the simple wooden chairs in front of the table where he met guests was his jacket, grey tweed, fitted to every curve of his pint-sized body.  His overcoat hung on the wooden rack by the door and his cap was tossed in an over stuffed leather chair by one of the windows, atop a thick wool blanket crumpled in its seat.

            It was an unusually chilly southern California day and Syd knowing his brother than anyone else knew Charlie would not go anywhere without these items, neither did he get on well with the cold, he chilled easily and despised the feeling.  He was still at the studio, somewhere inside more than likely.  Syd had not spoken with Edna; in fact he did not spy her anywhere as he crossed the back lot.  A circuit in his agile mind closed and a light bulb went on inside his head; Charlie was with Edna, hiding out in her dressing room.

            Dressing rooms at Loan Star Studio were all accessed from outside, from the back lot and his brother had ensconced Edna in one of the largest and most elaborate.  The back lot was entered by passing through the rear office door or through a gate in the surrounding wood plank fence placed there to allow in cars and delivery trucks.  Before leaving the office one more door caught Syd’s eye, nailed to it was a brass plaque that spelled out Gentlemen, one last place to check before heading outside.  His hand closed around the doorknob and the door yielded with a grating squeak.  Deliberately he stepped inside, attempting to muffle is footsteps on the white tile floors with their black accents.  He cringed knowing he could never enter the toilets without making a ruckus, without making himself known.

            It was a sparsely appointed room, a window with frosted glass panes for privacy on the farthest wall, yellow clay tiles reaching toward an unfinished ceiling, criss crossed with water pipes running to the wash basin on one wall and the two toilets and urinal on the other.  The toilets were enshrouded in wooden cubicles on the sides touching the floor and doors that ended several inches above.  Syd noticed the air smelled thick, foul, someone had been in there moments before or was in there now.  As he went to push open the panel in the window that swung open, he spotted a pair of shoes under the door of the toilet that overlapped with the window.  Familiar shoes, he did a double take, a small pair of high top button shoes, black patent leather, grey canvas uppers, he would recognize those shoes anywhere as they belonged to someone very dear to him.  Spindly ankles encased in stripped socks emerged from their tops, below the cuffs of grey tweed trousers.

            “Charlie?” he inquired knowing it would be no one else.

            “Good God Syd!  Get out of here!” came a voice form the other side of he door that was undeniably Charlie’s.  “I would like a bit of privacy… Whatever it is can wait till I’m through.”

            “I’ll be in your office then,” Syd answered pausing a moment, hoping he was not making a mistake by just leaving. 

            Even though the door between them was closed and locked he could see his brother, all five foot six and one hundred and nineteen pounds of him, in his waistcoat and shirtsleeves, braces unhitched trousers down just enough to preserve his modesty.  With it being could he would be wearing a union suit, the drop seat unbuttoned held up out of the way, baring only what was necessary.  He would be perched on the wooden seat with a book in his lap; he had taken to reading while going about his business years ago.  A part of him deep inside compelled Syd to push the chair standing near the wash basin up to the cubicle door and peek in on Charlie, surprising him, knowing the reaction would be more than good it would be hilarious.  Yet there was no way to go about it silently.

            “Sydney?”

            He turned to leave without uttering another word, there was no use rushing nature and Charlie would take as long as he needed, even though it seemed he was taking his time, enjoying him self and the alone time.  Syd wondered if this would become one more way for him to avoid meeting guests, but Charlie was too modest, he could never let Syd tell them he was sitting on the loo.  Although the thought of saying that made Syd uncomfortable, he knew he could never do that.  But if it did become an issue there was an easy remedy, Charlie could only spend so much time each day in the water closet and if he started using it as an excuse all he needed to do was call in a doctor to check him out, that would quickly put Charlie to rights.

            Sighing Syd settled into the empty chair in his brother’s office before the table, thinking life had not always been this way.  Growing up there was no privacy, at least amongst his immediate family.  They resided in a one room flat three floors above the street in an impoverished area of London’s south end.  Charlie and himself slept together back to back in a single bed, bundled beneath the quilt their mother pieced together out of scraps of old clothing.  They spent every waking minute together in those days, playing in the streets when it was nice, or inside when it rained or when Charlie fell ill, which to Syd seemed all to often.  Mother would sit on the edge of the bed telling his brother stories, reading to him from borrowed books or newspapers, or later the Bible, singing softly, acting out what she seen in the streets below all in mime.  Syd would sit transfixed, taking it all in, but also sick with envy.  To him it seemed Charlie received the most attention, was constantly fussed over in those days.  He was the youngest and Mother always said to him please watch out for Charlie.

            In those days there was no water closets or private baths, at least not for them, both were something for the wealthy upper classes, a mere dream.  Tucked beneath the bed a yellow ware chamber pot with blue and white bands.  So, when Charlie felt the urge there was no place else to go, of course at the time neither of them thought anything of it.  His brother would squat atop the pot in plain view and when finished ashes from the fireplace were sprinkled to keep the odor down and a newspaper placed on top to hide the filth from view.  Under the bed it went until the time came to empty it, much to Syd’s pleasure that duty fell on Charlie with him being the youngest, unless he was indisposed then it was his job. 

            Laughing aloud he recalled how Mother fussed over their bowel movements, to her it showed their bodies were healthy, functioning properly, the way the lord intended.  She would watch and wait, looking for signs that seemed off that could spell illness, called for some homespun remedy.  Now the thought caused him to blush, even though it was only a sign of how much she cared for them, her two sons, really the only thing she had in this world.  In the back of this throat he could still taste the putrid fish oil, the joy he felt when Mother one time pinned Charlie in a chair and forced the oil down his gullet.  Syd could still see his arms and legs flailing, the muffled cries, Mother prizing Charlie’s mouth open.  He had rocked with fits of laughter only to be chastised later, “Be happy you are well, but don’t laugh at the plight of others.”  Any coughs, sneezes, runny noses, rashes, bumps and bruises were regarded in much the same way. 

            When well Mother put an emphasis on cleanliness, on both the home and self, even though they were poor they could attempt it.  Fortnightly baths in the tin tub before the fire, each morning faces were washed in the basin, before bed faces, hands, feet, underarms and bottoms were scrubbed before night shirts were pulled on, before being tucked in and kissed on the forehead.  Mother bathed them when they were very young, working quickly before they could catch cold.  Charlie’s fragile health was always of utmost concern; he still told cold easily, albeit now he cared for himself, though there was the possibility Edna fussed over him.  She made sure he was eating well and had clean clothing.

            Hair was brushed and combed, his was simple, straight, and lank it only needed a wetting and an all over combing.  Charlie’s curls required special attention, snarls needed to be worked out, brushing with Mother’s own boar bristle to get them to lay just so.  Although Syd pretended to hate it he wished he possessed hair like his brother’s only for the extra attention; still did in fact, the ladies adored Charlie’s thick ebony ringlets.  Of course at the time Charlie did not like having to sit still while Mother worked on his hair, he just wanted to run off and play.

            It was not surprising they were such a tight knit family with so many shared intimate moments, yet that changed as soon as Mother’s health failed.  Overnight they went from being merely poor to destitute, three modest meals a day dwindled to one if they were fortunate.  Mother could no longer work or care for them, their room grew filthy, piles of dishes, soiled laundry, ashes overflowed from the hearth.  There was too much for two young boys to tend to on top of doing whatever they could to find food.  The landlady came by demanding rent while there was nothing they could do, Mother was out and stayed out for hours only returning late at night.

            At that tender age Syd had no clue what she did for the money she came home with, only when he grew older did it occur to him, causing him to feel physically ill.  Deep inside him it also inspired awe, she did what she had to put food on the table and keep a roof over their heads.  Her mercurial moods caused them both much anguish, one time as she was having a fit they cowered along side of the bed, Syd holding his mortified brother who wept and begged for it to stop.  Round that time his rivalry with Charlie faded some, Mother always reminded him to watch out for Charlie but the words rang worthless at the time.  It was there that they started to mean something more, he was older, almost a man in his eyes, he possessed something his brother a mere baby did not.  To be grown up meant taking care of Charlie, emulating his mother, making sure he stayed well and kept clean, for soon he was all Syd had left in this world.

            A sound outside the office startled Syd from his reverie.  Peering over his shoulder he expected to see Charlie coming through the door, but it was Fran, “did you find him?” she asked, framed by the doorway.  This time her appearance did nothing to arouse Syd, so caught up in his own thoughts was he.

            Syd nodded, “he’s in…” he gestured to the studio toilets tucked behind the offices.

            Fran smiled in knowing acknowledgement, then returned to her post.  He wondered what was taking Charlie so long, yet remembered that Charlie took as long as he damn well wanted to finish anything.  Shifting his weight, keeping his foot from going numb, Syd thought about the day Mother brought them to the workhouse, it was grey and raining, cold, the building was mammoth and foreboding.  For years he hated Mother for doing that to them, it took years for him to understand it was a blessing of sorts, saving Charlie and him from untimely ends.  They parted ways there, Charlie and himself heading to Hanwell a school for orphans and destitute children, his young mind though they would remain together and he would continue looking out for his brother.  On the ride there Charlie sobbed and continued to once they were separated.  Charlie went to a dormitory with young boys and himself with those his own age.  He excelled in school and was soon whisked off to Exmouth, a training ship to become a seaman.  He continued to worry about his brother but knew he was being cared for better than he could hope to do on his own.

            Eventually Mother was let out the workhouse and came to collect them, yet during that period he was away more than he was home, having been hired by a steamship company as a steward.  Time permitting Syd would visit and bring with a portion of his earnings to pass along to his mother and brother.  Mother was proud of him although she disliked he was for such long stretches of time.  Still her health suffered, shifting between lucid and fits where she lost all control.  Charlie suffered too, that was until he began pursuing a stage career of his own, with two performer parents it was only natural.  And it pleased Syd to see his brother growing up and making his own way in the world.  For several years he led a life that prior to he could have only dreamed of seeing the world, transforming into a man.  With Charlie able to fend for himself there was little to worry about, or so he thought.

            Then there was that day Syd came home to find heir flat empty, even the ashes had been cleaned from the hearth.  According to the landlady Mother had been committed to a mental institution and his dear brother was living on the streets.  Gut instinct told him is was time for a change, he would not be returning to sea and instead rented some rooms several blocks from where they grew up.  With information gathered from their former landlady and other street children Syd located his brother following three long days of worried torment.  To this day his stomach still churned when he thought about it.  Children perished on the streets with nobody to look after them, maybe something had happened to Charlie.  Now after all those years, Syd recalled thinking, that maybe he would be alone in the world.

            When Syd found Charlie the sight of him left him appalled and floored.  Dressed in rags, covered in filth, those once luminous raven curls of his matted, caked with dirt, straggling into his eyes, over his ears down to his shirt collar.  Emaciated, his vast baby blue eyes sunken, cheeks hollow, his body he feared might crumble if the wind blew to hard.  Charlie had been almost unrecognizable, just another waif, although it was his eyes that gave him away.  Syd felt as if he would be sick, his heart ached and still did as he thought about it now, like some entity were slowly shredding it with a dull blade.

            First order of business had been to get some food inside his brother’s empty belly.  Fried fish wrapped in newspaper was sold in a stall several blocks away, Syd bought a helping for each of them.  Charlie devoured his ravenously, leaving him feeling it was a wonder his brother did not choke.  He let Charlie have some of his fish, he needed the nourishment it brought bad, an act of pity Syd would never have considered when they were younger.  Together they walked back to the newly rented flat, where that night Charlie slept on the floor in front of the fire.  Being so dirty refused he bed, no matter how Syd begged him to sleep there.  He did smell awful, maybe he was infested with lice, fleas or parasites, Syd thought.

            Next day he rose early, while Charlie still slumbered peacefully in a heap on the hard floor.  He went out, brought some soap, talked to the man at the chemist’s shop about what type of shampoo would work best to detangle and cleanse filthy hair, this was his first time purchasing shampoo.  He even considered getting some new clothing for Charlie, but had not the faintest idea of what sizes to choose.  Upon returning his brother was still asleep, a testament to how exhausted he was, to how long it had been since had a warm place to sleep in peace.  Later when Charlie awoke, Syd dressed him in an extra change of his own clothing that was much too large, though a few pins helped with the fit.

            First stop of the day was the Kennington Baths, where when they were younger they would skip school to go swimming.  They were not there to swim, for a small fee they could use a bathtub enclosed in a cubicle with hot water on tap.  In the sterile white room with tile floors Charlie undressed while deep tub filled.  So thin was he that he was painful to behold, ribs, hips, shoulder blades, spine all visible, poking through his brother’s skin.  Gaunt legs bowed and knock kneed from the lack of flesh.  In days past he had seen his brother without clothes many times, but never this thin, he still was skinny but not to the extent he was then.  Syd also noticed Charlie was no longer a boy; his body was that of a man.  Both of then bathed, Charlie first then Syd, who was amazed by how well his brother, cleaned up, how much better he looked.  Although he sat on the bench knees together, feet splayed and trembling from a chill he could not shake a towel around his shoulders Charlie looked less like death incarnate.

            Following the bath Syd took Charlie to get his hair trimmed and they went and acquired him a new set of clothes.  Grown up clothes, a suit, shirts, collars, cuffs, a couple of changes of underwear and socks and a new pair of shoes with room to grown and fill out.  And that Charlie did, over the months that followed he grew several inches, regained the weight he lost and became a little too handsome Syd recalled.  If he was remembering it right, he first worked as a bar tender to support them and Charlie landed a job with a traveling comedy troop with his help.  Shortly thereafter he was taken on by Karno, where he was able to, with much haranguing get his brother a job after his stint was up with the first troop.  And the rest was history, Syd thought now, scratching an itch around the back of his head.  Without his contributions neither of them would be where they were now.  Charlie would not be what he was and that was why he would not let him off easily, he needed to continue to face his fears.  Funny how at what seemed like the beginning of the end for both of them both of their careers blossomed like crocuses in spring, leaving them miles away from where they first began.  Syd was glad those awful days were long since past, savage and beastly times they were.

            Another sound in the hall caught his attention and he pulled him robust frame upright from the chair.  Making his way to the door he discerned women’s foot falls, heels clunking on the bare floor.  It was Edna; she was smiling, so gorgeous, his brother had chosen well. Rubenesque, with a round pretty face like an angel, she filled out the simple dress she was wearing more than adequately.  He wished to peel it from her here and now on Charlie’s table, yet thought better of it, his brother would be irate.  He told himself he was a married man and Min would like it none better.

            “Have you seen Charlie?” Edna paused at the doorway radiant as a beam of California sunlight.  “He told me he’d see me after lunch.”

            Silently drawing in a sharp breath Syd answered, “he’s in the toilet, he should be out any moment.”

            She grinned and he bit his lip in attempt to quiet his thoughts that he feared she might hear, “tell him I’m in my dressing room.”

            “Wait… Please stay,” he found himself saying, knowing that if she did it gave Charlie all the more incentive to stick around and here what he had to say.  With the way events were unfolding around the studio as of late if Charlie had his way Edna and him would be making another trip out to the beach.

            “You probably have something important to talk about and I’ll just be a distraction.”

            For Syd she already was unbeknownst to her, “no… No you won’t…Sit,” he gestured to the other chair.  It was true, what he had to say could be spoken in front of Edna; after all she was practically family now.

            From the chair she took Charlie’s jacket and lovingly draped it over the table like it were actually, physically a part of him, then settled down to wait.  Syd returned to his chair and sat with his legs crossed to hide his body’s protestations.  Soon as he was settled, light quick footsteps echoed on the hall, a door closed heavily and Charlie swung around the corner and entered his office stopping dead, a bewildered look contorting his features.

            “Hi doll,” he greeted Edna first, bending down to kiss her cheek.  “Syd.”

            Syd was on his feet once more and before Charlie could go behind the table and plop down in his chair he grasped one of his hands like he were gong to shake it.  Funny little hands they were he though, frail and tiny like a lady’s hairy like a man’s.

            “What is it Syd?”

            He shook his head, “I was just thinking how lucky we are… To go to this,” his eyes darted around the comfortably furnished room with its electric lights and central heat.

            He did not need to explain it to Charlie for he knew all to well what Syd meant.  Then he pulled his brother into an embrace, holding him closely like a parent would a child, he could not remember the last time he hugged Charlie or was so grateful to have him around.  It always surprised him how small and insubstantial Charlie felt in his arms, delicate.  His brother beamed ear to ear and seemed to be getting a bit choked up, Edna smiled sweetly.  The only other question Syd had, the one he had intended to ask first, until his emotions took hold of him, regarded when filming would begin on the last film he needed to produce in order to fulfill his Mutual contract.  Each subsequent film was taking longer than the last to complete and Mutual had telegrammed Syd asking what he knew.  For weeks Charlie had been working out the scenario in between jaunts to the beach with Edna.

            With Charlie seated comfortably in his swivel chair, Syd breached the question.  Coming forward with great gusto Charlie went on to explain what he had in mind.  An escaped convict, himself, saving a drowning girl, Edna.  Him, the convict, going to a party hosted by the girl’s parents, beautiful dancers that would provide further temptation to his Little Tramp.  The girl would have an ugly, brutish and overbearing beau who would get in the way, Eric Campbell his loyal heavy.  Visits to the beach proved to be inspiration Charlie stated, the glue that would fit most pieces of the picture together.  Like sunlight on the waves Charlie’s eyes gleamed and twinkled, overflowing with excitement and vitality, a far cry from those sullen, sunken eyes of years gone by.  Those hands danced through the air, or smoothed back dark curls that now gleamed freshly washed and neatly brushed in the afternoon light.  A luminous young man, Syd knew if not for himself these stories that would go on to inspire millions the world over would remain unheard.

Thursday, December 13, 2012

Hello Future Readers

Where to begin... I really don't know.  I haven't had a blog since the days of Myspace, since I abandoned my account there in about 2008 and made the move to that other big social networking site, which I find lacking.  While your posts are not exactly confined to so many words, other people really don't care for you when you make a posting more than a few sentences long or post loads of cute pictures of your children (I don't have any, I don't want any) - thus the reason for starting this blog.  Also you are not exactly anonymous (which I prefer to remain- it gives one so much more freedom), if you do not share your name people will not be able to find you, or attack you because they don't like what you have to say.

Anyway what am I going to blog about?  First and foremost I fancy myself a writer, I wrote my first kind- of novel when I was twelve and haven't stopped since.  Being unemployed at the moment I have more than my share of free time and I spend a decent portion of it writing.  I have a novel in progress and a number of short stories just lying around waiting for someone to read them and I feel greedy for not sharing them, holding them hostage in notebooks locked inside my desk.  Keep watching this blog and they will begin to trickle out and hopefully blossom- I need feedback, a sounding board of sorts I hope to create.  There may also be a blog or two about issues I feel strongly about or wish to bring to other's attention.  Fountain pen repair- yes those mostly forgotten pointy ended writing sticks many people have eschewed in favor of cheap and impersonal products pumped out by a certain company whose name is several letters short of a certain swear (at least here in the 'States).  I feel the need to share what I know about repairing old fountain pens into working order again, there are not enough blogs out there that spill what one needs to know.  A random photo or two may show up as well.

So welcome new readers, enjoy your stay.



A note about the title of this blog:

It is named after a bad habit of mine that happens to bring me some of my most inspired moments.